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Cool Image Website images

Some cool image website images:

Cool Image Share images

Some cool image share images:


(animated stereo) Boat detail, Entrance to Temple of Isis, Philae, Egypt. 1900-1920
image share
Image by Thiophene_Guy
To animate scroll down to the first comment or view original size (click "all sizes").

The library of congress offers a multitude of historical images online, many needing no license to redistribute. This detail is excerpted from this larger image. The uncropped Matson collection stereoview is titled Egyptian views; Assuan and Philae. Entance gateway in 1st pylon, of Temple of Isis.. The approximate date of capture is 1900-1920 and there are no known restrictions on publication. Library of Congress digital ID: hdl.loc.gov/loc.pnp/matpc.01583

Image rotations, resizing, alignment, and animated gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.


(animated stereo) Boatman detail. Temple of Isis, Philae, Egypt.
image share
Image by Thiophene_Guy
To animate scroll down to the first comment or view original size (click "all sizes").

The library of congress offers a multitude of historical images online, many needing no license to redistribute. This detail is excerpted from a larger image. The uncropped Matson collection stereoview is titled Assuan and Philae. Birth house in Temple of Isis, Philae.. The approximate date of capture is 1900-1920 and there are no known restrictions on publication. Library of Congress digital ID: hdl.loc.gov/loc.pnp/matpc.01586

Image rotations, resizing, alignment, and animated gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.


(animated stereo) Passenger detail. Temple of Isis, Philae, Egypt.
image share
Image by Thiophene_Guy
To animate scroll down to the first comment or view original size (click "all sizes").

The library of congress offers a multitude of historical images online, many needing no license to redistribute. This detail is excerpted from a larger image. The uncropped Matson collection stereoview is titled Assuan and Philae. Birth house in Temple of Isis, Philae.. The approximate date of capture is 1900-1920 and there are no known restrictions on publication. Library of Congress digital ID: hdl.loc.gov/loc.pnp/matpc.01586

Image rotations, resizing, alignment, and animated gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.

Nice York Photo photos

A few nice york photo images I found:


Miniature 8th Avenue
york photo
Image by Curtis Gregory Perry
New York City, New York


MoMA
york photo
Image by Gwenaël Piaser
New York, July 2009.

Cool Photo Services images

Some cool photo services images:



photo services
Image by DigiDreamGrafix.com
DigiDreamGrafix.com I Twitter I Facebook I Digitalprintsshop.com I AGwallArt.com I Cityplanets.net I weddingphotoworks.com I Scripturebits.com I Flickr I BreatheLifeDiveWear.com I AGphotos.us I AGsportsphotography.com I agdigitalphotography.com I AGpostcards.com I PHOTOMAKER.US I Smugmug I Google Circle I Legal Shield


frozen river
photo services
Image by DigiDreamGrafix.com
DigiDreamGrafix.com I Twitter I Facebook I Digitalprintsshop.com I AGwallArt.com I Cityplanets.net I weddingphotoworks.com I Scripturebits.com I Flickr I BreatheLifeDiveWear.com I AGphotos.us I AGsportsphotography.com I agdigitalphotography.com I AGpostcards.com I PHOTOMAKER.US I Smugmug I Google Circle I Legal Shield


USS New Orleans Sailors console each other during memorial service for CS2 Newlove.
photo services
Image by Official U.S. Navy Imagery
PACIFIC OCEAN (July 29, 2010) Sailors aboard the amphibious transport dock ship USS New Orleans (LPD 18) console each other during a memorial service for Culinary Specialist 2nd Class Jarod Newlove, who was killed in Afghanistan while serving as an individual augmentee. Newlove was a plank owner, or member of the commissioning crew, on New Orleans before accepting the assignment. New Orleans is participating in Southern Partnership Station 2010, an annual deployment of U.S. military training teams to the U.S. Southern Command area of responsibility. (U.S. Navy photo by Mass Communication Specialist 1st Class Brien Aho/Released) 100729-N-5319A-046

Nice Image Shack photos

Some cool image shack images:


Rockport harbour
image shack
Image by RiffRaff
We didn't take a single picture of that famous shack.


Curious kitten
image shack
Image by oalfonso
Sorry, the image is blurred. My hands were shacking.

Isn't he lovely?


Beautiful winter light at Ullswater from the verandah of the Sharrow Bay Hotel
image shack
Image by Fiona in Eden
A very rare gorgeous weather February day, high pressure and an inversion over the lake. The views took our breath away. The light was stunning that afternoon and the air crystal clear and completely still. The lake was silent and still.

See where this picture was taken. [?]

Cool Edit Image Online images

Check out these edit image online images:


Remake/Remodel 1: Thomas Zummer presents Stefaan Decostere
edit image online
Image by uniondocs
Part 1: Screening
Warum Wir Männer die Technik so lieben/Why We Men Love Technology So Much
(1985, 57 minutes, color, sound, video, produced by BRTN/Belgian television)

A program on war, technology and perception, with interviews with Paul Virilio, Jack Goldstein, and Klaus vom Bruch
Lessen in Bescheidenheid/ Lessons in Modesty (selections from)
(1995, 90 minutes, color, sound, video)
Decostere looks at the inherent paradox in the conception of the future by scientists from the San Francisco area, who praise the merits of an on-line virtual community which will ultimately allow users to never leave the periphery of their neighbourhoods. In ‘Lessons in Modesty’, artists are made to experience and comment on the fiction of empowerment through high technology. Clearly two models of artists are set up before us. There are those who come out of studios, taking their work to in situ performance spaces, away from art institutions which are still suspicious of high tech, using their bodies as sites and receptacles of the techno-experience. And there are those whose studios are corporations such as Xerox and NASA, and who project a distance from the body. The first category addresses issues touching the materiality of the body head on. The second category is invested with a mission, a task: constructing a new time for a new body. This task is neither sacred nor profane; it is divine creation itself and the Mecca is the American West Coast.
Part 2: Seminar
Index, Affect, Artifact: Philosophical Aspects of Documentary Practice
‘Machines for seeing modify perception.’ -Paul Virilio
This seminar will examine contemporary accounts of documentary from a philosophical, critical and theoretical perspective, starting with early accounts, inherited from photographic practices, of the indexical relation between the media apparatus, the world, and media artifacts. From Walter Benjamin to Friedrich Kittler, via Bergson, Deleuze, Foucault, Virilio, Stiegler, Bolz, Derrida, and others, the philosophical interrogation of technically reproduced ‘realism’ circumscribes an immensely complex, rich, and roductive field. We will discuss aspects of a contempory theory of mediation/remediation by looking firsthand at a variety of works and excerpts. We will also discuss texts by Jay Leyda, Joris Ivens, Theodor Adorno, Giorgio Agamben, and others. References and Reading lists will be made available in class.
screenings of excerpts:
—Land Without Bread, Luis Buñuel
—Arbeiter Verlassen die Fabrik/Workers Leaving the Factory, Harun Farocki
—Videogramme Einer Revolution/Videograms of a Revolution Harun Farocki/Andrei Ujica
—CBS News, Dan Rather in China (broadcast television)
Stefaan Decostere studied film direction at the National Film School RITS in Brussels. Finishing in 1978, he directed his first documentary on Marcel Duchamp. From 1979 until 1998, he worked as director and producer for the Arts Department of the Flemish Belgian Television (the former BRTN). He was amongst a handful of truly innovative directors working in television, creating new forms for increasingly complex ideas. Decostere approached the television medium as a serious platform for his specific ideas about media analysis, structural experimentation and video-graphic creation. In his documentaries he became increasingly critical of the medium he employed, a form of essay in which he responded to codes that uphold mainstream television programming. His television documentaries include productions for Belgian Television BRTN, co-productions for the Banff Center for the Arts, CBS, Channel Four, INA, NOS, TVE and VPRO.??Central to Decostere’s journey of discovery towards a radical, new visual language was his creative use of editing. Because of this, even today, his documentaries remain more than a report about their subject. Unlike ‘normal’ television productions, for the viewer, Decostere’s programmes offer a challenge. Because they approach themes and subjects from several perspectives, or offer an opportunity for reflection and introspection, they force the viewer to take an active stance.
Thomas Zummer is an independent scholar and writer, artist and curator. He is the author of articles on mediation and virtuality, including “Projection and Dis/embodiment: Genealogies of the Virtual,” in Into the Light: The Projected Image in American Art 1964-1977,” Chrissie Iles, ed., Whitney Museum of American Art/Harry Abrams, “Arrestments: Corporeality and Mediation,” in Suturas y fragmentos: Cuerpos y territories en la ciencoa-ficción/Stitch and Split: Bodies and Territories in Science Fiction, Nuria Homs, Laurence Rassel, eds., Fundacion Antoni Tapies/Constant vzw, Barcelona/Brussels, and “Variables: Notations on Stability, Permeability, and Plurality in Media Artifacts,” in Saving the Image: Art After Film, ed. Tanya Leighton, Pavel Buchler, [Glasgow and Manchester: Center for Photography/Glasgow and Manchester Metropolitan University]. Other publications include an e-book entitled “What the Hell is That?” (Beehive, 2000) an experimental and humorous look at the rhetoric of cinematic monstrosity; he has also written essays on Eleanor Antin, Vik Muniz, Leslie Thornton, Heleen Decuininck, Harun Farocki and others, and he is currently completing a book on photography, and working on Intercessionary Technologies: Database, Archive, Interface, a study of the early history of reference systems. In 1994 Mr. Zummer curated CRASH: Nostalgia for the Absence of Cyberspace, with Robert Reynolds, one of the first major exhibitions to have a significant portion of digital/online works and works in/as other forms of transmission. He and Mr. Reynolds also edited the book accompanying the exhibition. Mr. Zummer has also curated exhibitions at the Wexner Center for the Arts, CinéClub/Anthology Film Archives, Thread Waxing Space, the Katonah Museum of Art, and the Palais des Beaux-arts/Brussels In 1995 Thomas Zummer won 5th Prize in the ACA/CODA Architectural Design Competition for the City of Atlanta for the 1996 Olympics. Thomas Zummer’s drawings, media, and sculptural works have shown worldwide, with recent exhibitions at the Museum van Hedendaagse Kunst/Antwerpen, Fundacio Antoni Tapies, Barcelona, Mütter Museum, Philadelphia, Frederieke Taylor Gallery, Marcel Sitcoske Gallery, and White Box. Thomas Zummer is a frequent lecturer on philosophy, aesthetics, and the history of technology, and has taught at Brown University, New York University, The New School, the Transart Institute/Linz, and Tyler School of Art/Temple University. He is currently a Regular Visiting Professor in the Transmedia programme/post-graduate at the Hogeschool Sint-Lukas/Universite Leuven in Brussels, and Faculty in Philosophy at the Europäische Universität für Intisziplinare Studien/European Graduate School (EUFIS/EGS), Saas-Fee, Switzerland. Thomas Zummer currently lives and works in Brooklyn, NY.
Keith Sanborn is a media artist, theorist and translator based in New York. His work has been the subject of a number of one-person shows and has been included in major survey exhibitions such as the Whitney Biennial (twice), and festivals such as OVNI (Barcelona), Video Vortex, The Rotterdam International Film Festival, EMAF, and Oberhausen.
His theoretical work has appeared in publications ranging from Artforum and Kunst nach Ground Zero to exhibition catalogues published by MoMA (New York), Exit Art, and the San Francisco Cinematheque. He has translated into English the work of Guy Debord, Georges Bataille, Lev Kuleshov, Esther Shub, Paolo Gioli and Napoleon, among others.
He teaches at Princeton University and the Milton Avery Graduate School in the Arts of Bard College. In 2008, he taught at Smolny Institute in St. Petersburg on a Fulbright Fellowship while researching media in Russia.


Remake/Remodel 1: Thomas Zummer presents Stefaan Decostere
edit image online
Image by uniondocs
Part 1: Screening
Warum Wir Männer die Technik so lieben/Why We Men Love Technology So Much
(1985, 57 minutes, color, sound, video, produced by BRTN/Belgian television)

A program on war, technology and perception, with interviews with Paul Virilio, Jack Goldstein, and Klaus vom Bruch
Lessen in Bescheidenheid/ Lessons in Modesty (selections from)
(1995, 90 minutes, color, sound, video)
Decostere looks at the inherent paradox in the conception of the future by scientists from the San Francisco area, who praise the merits of an on-line virtual community which will ultimately allow users to never leave the periphery of their neighbourhoods. In ‘Lessons in Modesty’, artists are made to experience and comment on the fiction of empowerment through high technology. Clearly two models of artists are set up before us. There are those who come out of studios, taking their work to in situ performance spaces, away from art institutions which are still suspicious of high tech, using their bodies as sites and receptacles of the techno-experience. And there are those whose studios are corporations such as Xerox and NASA, and who project a distance from the body. The first category addresses issues touching the materiality of the body head on. The second category is invested with a mission, a task: constructing a new time for a new body. This task is neither sacred nor profane; it is divine creation itself and the Mecca is the American West Coast.
Part 2: Seminar
Index, Affect, Artifact: Philosophical Aspects of Documentary Practice
‘Machines for seeing modify perception.’ -Paul Virilio
This seminar will examine contemporary accounts of documentary from a philosophical, critical and theoretical perspective, starting with early accounts, inherited from photographic practices, of the indexical relation between the media apparatus, the world, and media artifacts. From Walter Benjamin to Friedrich Kittler, via Bergson, Deleuze, Foucault, Virilio, Stiegler, Bolz, Derrida, and others, the philosophical interrogation of technically reproduced ‘realism’ circumscribes an immensely complex, rich, and roductive field. We will discuss aspects of a contempory theory of mediation/remediation by looking firsthand at a variety of works and excerpts. We will also discuss texts by Jay Leyda, Joris Ivens, Theodor Adorno, Giorgio Agamben, and others. References and Reading lists will be made available in class.
screenings of excerpts:
—Land Without Bread, Luis Buñuel
—Arbeiter Verlassen die Fabrik/Workers Leaving the Factory, Harun Farocki
—Videogramme Einer Revolution/Videograms of a Revolution Harun Farocki/Andrei Ujica
—CBS News, Dan Rather in China (broadcast television)
Stefaan Decostere studied film direction at the National Film School RITS in Brussels. Finishing in 1978, he directed his first documentary on Marcel Duchamp. From 1979 until 1998, he worked as director and producer for the Arts Department of the Flemish Belgian Television (the former BRTN). He was amongst a handful of truly innovative directors working in television, creating new forms for increasingly complex ideas. Decostere approached the television medium as a serious platform for his specific ideas about media analysis, structural experimentation and video-graphic creation. In his documentaries he became increasingly critical of the medium he employed, a form of essay in which he responded to codes that uphold mainstream television programming. His television documentaries include productions for Belgian Television BRTN, co-productions for the Banff Center for the Arts, CBS, Channel Four, INA, NOS, TVE and VPRO.??Central to Decostere’s journey of discovery towards a radical, new visual language was his creative use of editing. Because of this, even today, his documentaries remain more than a report about their subject. Unlike ‘normal’ television productions, for the viewer, Decostere’s programmes offer a challenge. Because they approach themes and subjects from several perspectives, or offer an opportunity for reflection and introspection, they force the viewer to take an active stance.
Thomas Zummer is an independent scholar and writer, artist and curator. He is the author of articles on mediation and virtuality, including “Projection and Dis/embodiment: Genealogies of the Virtual,” in Into the Light: The Projected Image in American Art 1964-1977,” Chrissie Iles, ed., Whitney Museum of American Art/Harry Abrams, “Arrestments: Corporeality and Mediation,” in Suturas y fragmentos: Cuerpos y territories en la ciencoa-ficción/Stitch and Split: Bodies and Territories in Science Fiction, Nuria Homs, Laurence Rassel, eds., Fundacion Antoni Tapies/Constant vzw, Barcelona/Brussels, and “Variables: Notations on Stability, Permeability, and Plurality in Media Artifacts,” in Saving the Image: Art After Film, ed. Tanya Leighton, Pavel Buchler, [Glasgow and Manchester: Center for Photography/Glasgow and Manchester Metropolitan University]. Other publications include an e-book entitled “What the Hell is That?” (Beehive, 2000) an experimental and humorous look at the rhetoric of cinematic monstrosity; he has also written essays on Eleanor Antin, Vik Muniz, Leslie Thornton, Heleen Decuininck, Harun Farocki and others, and he is currently completing a book on photography, and working on Intercessionary Technologies: Database, Archive, Interface, a study of the early history of reference systems. In 1994 Mr. Zummer curated CRASH: Nostalgia for the Absence of Cyberspace, with Robert Reynolds, one of the first major exhibitions to have a significant portion of digital/online works and works in/as other forms of transmission. He and Mr. Reynolds also edited the book accompanying the exhibition. Mr. Zummer has also curated exhibitions at the Wexner Center for the Arts, CinéClub/Anthology Film Archives, Thread Waxing Space, the Katonah Museum of Art, and the Palais des Beaux-arts/Brussels In 1995 Thomas Zummer won 5th Prize in the ACA/CODA Architectural Design Competition for the City of Atlanta for the 1996 Olympics. Thomas Zummer’s drawings, media, and sculptural works have shown worldwide, with recent exhibitions at the Museum van Hedendaagse Kunst/Antwerpen, Fundacio Antoni Tapies, Barcelona, Mütter Museum, Philadelphia, Frederieke Taylor Gallery, Marcel Sitcoske Gallery, and White Box. Thomas Zummer is a frequent lecturer on philosophy, aesthetics, and the history of technology, and has taught at Brown University, New York University, The New School, the Transart Institute/Linz, and Tyler School of Art/Temple University. He is currently a Regular Visiting Professor in the Transmedia programme/post-graduate at the Hogeschool Sint-Lukas/Universite Leuven in Brussels, and Faculty in Philosophy at the Europäische Universität für Intisziplinare Studien/European Graduate School (EUFIS/EGS), Saas-Fee, Switzerland. Thomas Zummer currently lives and works in Brooklyn, NY.
Keith Sanborn is a media artist, theorist and translator based in New York. His work has been the subject of a number of one-person shows and has been included in major survey exhibitions such as the Whitney Biennial (twice), and festivals such as OVNI (Barcelona), Video Vortex, The Rotterdam International Film Festival, EMAF, and Oberhausen.
His theoretical work has appeared in publications ranging from Artforum and Kunst nach Ground Zero to exhibition catalogues published by MoMA (New York), Exit Art, and the San Francisco Cinematheque. He has translated into English the work of Guy Debord, Georges Bataille, Lev Kuleshov, Esther Shub, Paolo Gioli and Napoleon, among others.
He teaches at Princeton University and the Milton Avery Graduate School in the Arts of Bard College. In 2008, he taught at Smolny Institute in St. Petersburg on a Fulbright Fellowship while researching media in Russia.


Remake/Remodel 1: Thomas Zummer presents Stefaan Decostere
edit image online
Image by uniondocs
Part 1: Screening
Warum Wir Männer die Technik so lieben/Why We Men Love Technology So Much
(1985, 57 minutes, color, sound, video, produced by BRTN/Belgian television)

A program on war, technology and perception, with interviews with Paul Virilio, Jack Goldstein, and Klaus vom Bruch
Lessen in Bescheidenheid/ Lessons in Modesty (selections from)
(1995, 90 minutes, color, sound, video)
Decostere looks at the inherent paradox in the conception of the future by scientists from the San Francisco area, who praise the merits of an on-line virtual community which will ultimately allow users to never leave the periphery of their neighbourhoods. In ‘Lessons in Modesty’, artists are made to experience and comment on the fiction of empowerment through high technology. Clearly two models of artists are set up before us. There are those who come out of studios, taking their work to in situ performance spaces, away from art institutions which are still suspicious of high tech, using their bodies as sites and receptacles of the techno-experience. And there are those whose studios are corporations such as Xerox and NASA, and who project a distance from the body. The first category addresses issues touching the materiality of the body head on. The second category is invested with a mission, a task: constructing a new time for a new body. This task is neither sacred nor profane; it is divine creation itself and the Mecca is the American West Coast.
Part 2: Seminar
Index, Affect, Artifact: Philosophical Aspects of Documentary Practice
‘Machines for seeing modify perception.’ -Paul Virilio
This seminar will examine contemporary accounts of documentary from a philosophical, critical and theoretical perspective, starting with early accounts, inherited from photographic practices, of the indexical relation between the media apparatus, the world, and media artifacts. From Walter Benjamin to Friedrich Kittler, via Bergson, Deleuze, Foucault, Virilio, Stiegler, Bolz, Derrida, and others, the philosophical interrogation of technically reproduced ‘realism’ circumscribes an immensely complex, rich, and roductive field. We will discuss aspects of a contempory theory of mediation/remediation by looking firsthand at a variety of works and excerpts. We will also discuss texts by Jay Leyda, Joris Ivens, Theodor Adorno, Giorgio Agamben, and others. References and Reading lists will be made available in class.
screenings of excerpts:
—Land Without Bread, Luis Buñuel
—Arbeiter Verlassen die Fabrik/Workers Leaving the Factory, Harun Farocki
—Videogramme Einer Revolution/Videograms of a Revolution Harun Farocki/Andrei Ujica
—CBS News, Dan Rather in China (broadcast television)
Stefaan Decostere studied film direction at the National Film School RITS in Brussels. Finishing in 1978, he directed his first documentary on Marcel Duchamp. From 1979 until 1998, he worked as director and producer for the Arts Department of the Flemish Belgian Television (the former BRTN). He was amongst a handful of truly innovative directors working in television, creating new forms for increasingly complex ideas. Decostere approached the television medium as a serious platform for his specific ideas about media analysis, structural experimentation and video-graphic creation. In his documentaries he became increasingly critical of the medium he employed, a form of essay in which he responded to codes that uphold mainstream television programming. His television documentaries include productions for Belgian Television BRTN, co-productions for the Banff Center for the Arts, CBS, Channel Four, INA, NOS, TVE and VPRO.??Central to Decostere’s journey of discovery towards a radical, new visual language was his creative use of editing. Because of this, even today, his documentaries remain more than a report about their subject. Unlike ‘normal’ television productions, for the viewer, Decostere’s programmes offer a challenge. Because they approach themes and subjects from several perspectives, or offer an opportunity for reflection and introspection, they force the viewer to take an active stance.
Thomas Zummer is an independent scholar and writer, artist and curator. He is the author of articles on mediation and virtuality, including “Projection and Dis/embodiment: Genealogies of the Virtual,” in Into the Light: The Projected Image in American Art 1964-1977,” Chrissie Iles, ed., Whitney Museum of American Art/Harry Abrams, “Arrestments: Corporeality and Mediation,” in Suturas y fragmentos: Cuerpos y territories en la ciencoa-ficción/Stitch and Split: Bodies and Territories in Science Fiction, Nuria Homs, Laurence Rassel, eds., Fundacion Antoni Tapies/Constant vzw, Barcelona/Brussels, and “Variables: Notations on Stability, Permeability, and Plurality in Media Artifacts,” in Saving the Image: Art After Film, ed. Tanya Leighton, Pavel Buchler, [Glasgow and Manchester: Center for Photography/Glasgow and Manchester Metropolitan University]. Other publications include an e-book entitled “What the Hell is That?” (Beehive, 2000) an experimental and humorous look at the rhetoric of cinematic monstrosity; he has also written essays on Eleanor Antin, Vik Muniz, Leslie Thornton, Heleen Decuininck, Harun Farocki and others, and he is currently completing a book on photography, and working on Intercessionary Technologies: Database, Archive, Interface, a study of the early history of reference systems. In 1994 Mr. Zummer curated CRASH: Nostalgia for the Absence of Cyberspace, with Robert Reynolds, one of the first major exhibitions to have a significant portion of digital/online works and works in/as other forms of transmission. He and Mr. Reynolds also edited the book accompanying the exhibition. Mr. Zummer has also curated exhibitions at the Wexner Center for the Arts, CinéClub/Anthology Film Archives, Thread Waxing Space, the Katonah Museum of Art, and the Palais des Beaux-arts/Brussels In 1995 Thomas Zummer won 5th Prize in the ACA/CODA Architectural Design Competition for the City of Atlanta for the 1996 Olympics. Thomas Zummer’s drawings, media, and sculptural works have shown worldwide, with recent exhibitions at the Museum van Hedendaagse Kunst/Antwerpen, Fundacio Antoni Tapies, Barcelona, Mütter Museum, Philadelphia, Frederieke Taylor Gallery, Marcel Sitcoske Gallery, and White Box. Thomas Zummer is a frequent lecturer on philosophy, aesthetics, and the history of technology, and has taught at Brown University, New York University, The New School, the Transart Institute/Linz, and Tyler School of Art/Temple University. He is currently a Regular Visiting Professor in the Transmedia programme/post-graduate at the Hogeschool Sint-Lukas/Universite Leuven in Brussels, and Faculty in Philosophy at the Europäische Universität für Intisziplinare Studien/European Graduate School (EUFIS/EGS), Saas-Fee, Switzerland. Thomas Zummer currently lives and works in Brooklyn, NY.
Keith Sanborn is a media artist, theorist and translator based in New York. His work has been the subject of a number of one-person shows and has been included in major survey exhibitions such as the Whitney Biennial (twice), and festivals such as OVNI (Barcelona), Video Vortex, The Rotterdam International Film Festival, EMAF, and Oberhausen.
His theoretical work has appeared in publications ranging from Artforum and Kunst nach Ground Zero to exhibition catalogues published by MoMA (New York), Exit Art, and the San Francisco Cinematheque. He has translated into English the work of Guy Debord, Georges Bataille, Lev Kuleshov, Esther Shub, Paolo Gioli and Napoleon, among others.
He teaches at Princeton University and the Milton Avery Graduate School in the Arts of Bard College. In 2008, he taught at Smolny Institute in St. Petersburg on a Fulbright Fellowship while researching media in Russia.

Cool Upload Photo images

A few nice upload photo images I found:



03-18-05 The Waves 5
upload photo
Image by Picture_taking_fool
Uploaded this photo to add to the "The Wave (Pool)".

Nice Photo Booth photos

Check out these photo booth images:


Big Omaha 2011 Photo Booth
photo booth
Image by Silicon Prairie News


Big Omaha 2011 Photo Booth
photo booth
Image by Silicon Prairie News


Big Omaha 2011 Photo Booth
photo booth
Image by Silicon Prairie News

Nice Image Share photos

Some cool image share images:


(animated stereo) Buffalo Bill, circa 1870s
image share
Image by Thiophene_Guy
To animate the medium (445 x 500) sized image scroll down to the comment below; to see the large (1000 x 1124) view original size (look above in the "all sizes" or the "share this" menu).

The Library of Congress website offers a multitude of historical images, many with no known restrictions on use. The circa 1870's E. L. Eaton stereograph is titled Buffalo Bill before he mounted for the Grand Start

Buffalo Bill is often remembered as an outdoorsman, Indian scout, and buffalo hunter. Often overlooked, as wikipedia notes, was his progressive stance on Native American and women's rights. In his words:

"Every Indian outbreak that I have ever known has resulted from broken promises and broken treaties by the government"

"What we want to do is give women even more liberty than they have. Let them do any kind of work they see fit, and if they do it as well as men, give them the same pay."

Copyright Advisory
The purpose here is not to duplicate the original image, from the Library of Congress website, but to generate a downloadable animated gif to assist viewing and presentation. The original image has no known restrictions on use. Library of Congress web address for this image: www.loc.gov/pictures/item/2010646520 .

Technical details
His right eye was selected as the region of maximum congruence between the images. Image rotation (L -1.0), resizing (L = 100.6), alignment, cropping and animated gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.


(animated stereo) The Village Sheikh (crop)
image share
Image by Thiophene_Guy
To see the animated version scroll down to the first comment or view original size (click all sizes, above).

The Library of Congress website offers a multitude of historical images, many with no known restrictions on use. The early 20th century American Colony stereograph is titled Peasant types. (Village sheikh telling his beads). This is cropped from a larger image.

Copyright
The purpose here is not to duplicate the original image, from the Library of Congress website, but to generate a downloadable animated gif to assist viewing and presentation. The original image has no known restrictions on use. Library of Congress web address for this image: loc.gov/pictures/item/mpc2004005807/PP .

Technical details
The digital image was rotated until level (arbitrary) and the borders were cropped. Subsequent image rotation, alignment, and animated gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.

Lexus IS300

A few nice photo editing websites images I found:


Lexus IS300
photo editing websites
Image by Charles Siritho
For all those that are looking at these photos, please visit my website, leaving me a email is always an appreciation too :)

Always looking for hire'd work, batch editing, 2nd shooting.

www.linkedin.com/pub/charles-siritho/26/499/678
www.yelp.com/biz/charles-siritho-photography-phoenix
www.charlessiritho.com
www.facebook.com/siritho
info@charlessiritho.com


The Party Pit
photo editing websites
Image by Charles Siritho
For all those that are looking at these photos, please visit my website, leaving me a email is always an appreciation too :)

Always looking for hire'd work, batch editing, 2nd shooting.

www.linkedin.com/pub/charles-siritho/26/499/678
www.yelp.com/biz/charles-siritho-photography-phoenix
www.charlessiritho.com
www.facebook.com/siritho
info@charlessiritho.com


The Party Pit
photo editing websites
Image by Charles Siritho
For all those that are looking at these photos, please visit my website, leaving me a email is always an appreciation too :)

Always looking for hire'd work, batch editing, 2nd shooting.

www.linkedin.com/pub/charles-siritho/26/499/678
www.yelp.com/biz/charles-siritho-photography-phoenix
www.charlessiritho.com
www.facebook.com/siritho
info@charlessiritho.com

Small Vancouver

Check out these photo effects online images:


Small Vancouver
photo effects online
Image by Derek K. Miller
Fake tilt-shift lens effect created by TiltShiftMaker (thanks to Scott for the link). Downtown Vancouver, 2004.


Real Geologists Don't Drink Virtual Beer
photo effects online
Image by cogdogblog
Today ended my participating in a pilot of the online workshop from Carelton College/ SERC on New Worlds for Geoscience Teaching: Using Online Games and Environments.

The agenda included at the end a gathering for "virtual beer" which was not exactly agreed upon how to do it. If you've ever been around geologists, there is often a lot of beer involved, so we opted to share photos of us sipping some brews.

So this is me enjoying a Fat Tire, and playing with the effects features of PhotoBooth in Mac OS X to do a cheap greenscreen of me at Yosemite.

Virtual beer just does not cut it!


I Must Admit, It's Pretty Cool
photo effects online
Image by douglas.earl
Learn more here: en.wikipedia.org/wiki/United_States_Capitol

One of the more irritating aspects of sharing online is the discrepancy with monitor contrast and the subsequent effect on photos. If this one looks super-washed out and grainy to you, try toning down the contrast or tilting your laptop screen a bit..

One day someone smart is going to make a widget for browsers that allows you to use a universal setting.

BrickCon: FriendSHIP One in all its restored glory. --edited photo

Some cool edit photos images:


BrickCon: FriendSHIP One in all its restored glory. --edited photo
edit photos
Image by eilonwy77


Benedicta sleeping
edit photos
Image by dmscvan
Sweet dreams!

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This photo has been edited. To see the original, click here.

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If you like my pictures, visit my blog, living in the south pacific.

oooops

Some cool baby picture images:


oooops
baby picture
Image by Djuliet
i had framed a perfect standing baby picture, when my small model grabbed his foot, before realising, a little too late, that he wasn't able to stand on one foot yet...


baby isaac triptych
baby picture
Image by icahla
Spent Saturday with some friends and their new son Isaac. Isaac is 10weeks old and already a lot of fun. We spent most of the afternoon taking pictures...he even missed his nap, poor little guy. This was a fun series...we placed his blaket on the grass and set him down before we realized how uneven the ground was...I got these few shots before he lost his balance and rolled over...the last one is in mid-roll

bigger baby


Baby Bird
baby picture
Image by Kelly Finnamore
Not quite sure what kind of bird this is, but it was on my porch and decided to take a picture. This was the first time he/she left the nest in our back yard.

Family braves the snow

Some cool family photo images:


Family braves the snow
family photo
Image by gdudg
A family makes their way down Pennsylvania Ave during the February blizzard in Washington DC.

Check out my photo book, "One Hundred Photos from 2009."


Family Portraits
family photo
Image by vonderauvisuals
Another great family photo session out at the Adler planetarium.


Press "L" to view on black.

Follow me on Facebook | Visit my website


This one went in the NYs letter
family photo
Image by katiek2

Beautiful Hawaii

A few nice photo for sale images I found:


Beautiful Hawaii
photo for sale
Image by Rosa Say
Yep...I agree :)

Walking along main street in Honoka‘a Town on a Saturday morning, camera in hand: These are “part two” of the same morning I took these: Kamuela, One January Saturday Morning


For Sale
photo for sale
Image by Duncan Rawlinson. Duncan.co

United Front Games-ModNation Wrap Up Party- photos by RonSombilonGallery (226)

Check out these photo canvas images:


United Front Games-ModNation Wrap Up Party- photos by RonSombilonGallery (226)
photo canvas
Image by SOMBILON ART, MEDIA and PHOTOGRAPHY
United Front Games-ModNations Wrap Up Party @ Canvas Lounge

photos by Ron Sombilon Gallery

www.UnitedFrontGames.com
www.ModNation.com

www.CanvasLounge.ca
www.RonSombilonGallery.com

.


United Front Games-ModNation Wrap Up Party- photos by RonSombilonGallery (240)
photo canvas
Image by SOMBILON ART, MEDIA and PHOTOGRAPHY
United Front Games-ModNations Wrap Up Party @ Canvas Lounge

photos by Ron Sombilon Gallery

www.UnitedFrontGames.com
www.ModNation.com

www.CanvasLounge.ca
www.RonSombilonGallery.com

.

Cool Photo Maker images

Check out these photo maker images:



WIEBE (Maker Faire) Progress Photo
photo maker
Image by Menlo Innovations
Progress photos for the WIEBE project.

Wiebe is the name of the all-time high scorer on the classic arcade game Donkey Kong.

We chose this as the name for our MAKER FAIRE 2012: DETROIT project.

20060722 - Greg & Nicole's wedding - 0 - collage tribute to woman who marrried all of us (and Chris White too) - KM

Check out these picture collage images:


20060722 - Greg & Nicole's wedding - 0 - collage tribute to woman who marrried all of us (and Chris White too) - KM
picture collage
Image by Rev. Xanatos Satanicos Bombasticos (ClintJCL)
Since we were both married by Karen Milligan, I made a collage of her from both our weddings. Unfortunately we don't have any pictures from Chris W and Geri's wedding, or this could be better. Also, too bad that our pictures are very low-res compared to Greg & Nicole's.

Carolyn, Clint, Greg, Karen, Nicole.
holding hands, standing.
collage.

The Fairfax, Ft. Belvoir, Clint and Carolyn's house, Alexandria, Virginia.

July 22, 2006.


... Read my blog at ClintJCL.wordpress.com
... Read Carolyn's blog at CarolynCASL.wordpress.com

... Read Greg's blog at gaugeyagee.wordpress.com/
... View Greg and Nicole's photos at www.flickr.com/photos/17102271@N00/
...Karen Milligan is a Fairfax County official marriage celebrant. She married Clint and Carolyn, Chris W and Jeri, and Greg and Nicole!


BACKSTORY: Although I am pretty thorough with pictures, I didn't want to have all 500+ pictures from Greg & Nicole's wedding. It would have been 1 out of every 20 pics that I have or so, and it would have been no fewer than 27 pages of photos on flickr, and a lot of them would be of people I'd never met. That's a bit too much. I went through and tried to take the best of everything relevant to me, combining some pictures as diptychs, and doing whatever possible to get the total image count down whilestill capturing an acceptable amount. I was amazed to finally get it down to 77 images, almost all of which were cropped and photoshop enhanced. It took no less than 3 days!

To view every photo from the wedding -- including the several hundred I did not post -- go to: garyphoto.smugmug.com/gallery/1696039_ijdYH#83376933_GFrWS


pictures for you
picture collage
Image by okiechick79
You have been sent 1 picture.

collage.jpg

Total is 27K (6 seconds at 56k)
These pictures were sent with Picasa, from Google.
Try it out here: www.picasa.com/

St Barth lone-fox

A few nice photo bucket images I found:


St Barth lone-fox
photo bucket
Image by muscapix


Sunrise Light Rays
photo bucket
Image by JamesWilk

Poplars

A few nice photo processing images I found:


Poplars
photo processing
Image by Joel Bedford
Thicket of Poplars in Ottawa, Canada's south end.

**edit** I replaced the original with a version of a sky more interesting (12/12/07)


Stillness
photo processing
Image by Joel Bedford


Columbia University
photo processing
Image by George Eastman House
Accession Number: 1977:0144:0047MP

Maker: George P. Hall & Son (American, active 1875–1914)

Title: Columbia University

Date: 1910

Medium: gelatin silver print printed 1977, from original negative

Dimensions: 27.0 x 45.3 cm.

George Eastman House Collection

General information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.

For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=1977:0144:0047MP.

Cool Print Photo images

A few nice print photo images I found:


CreativeTools.se - PackshotCreator - 3D printed puzzle ball - ZPrinter 3D printed ball
print photo
Image by Creative Tools
English
Image of a ball puzzle 3D printed on a ZPrinter 650 taken with a PackshotCreator photo studio by Creative Tools AB.

Swedish
Produktbild av en boll som skrivits ut på en ZPrinter tagen med en PackshotCreator fotostudio av Creative Tools AB.

www.creativetools.se


CreativeTools.se - PackshotCreator - 3D printed iPhone 4
print photo
Image by Creative Tools
English
3D model of a Apple iPhone 4 3D printed on a ZPrinter. Image is taken with a PackshotCreator photo studio by Creative Tools AB.

Swedish
3D-modell av en Apple iPhone 4 3D-utskriven på en ZPrinter. Bilden är fotograferad med en PackshotCreator fotostudio av Creative Tools AB.

www.creativetools.se


Antique Print
print photo
Image by mattbellphoto
back

antique print purchased from the Greensboro Super Flea (market) August 16th, 2008.

Nice Image Galleries photos

Some cool image galleries images:


The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (736)
image galleries
Image by SOMBILON ART, MEDIA and PHOTOGRAPHY


The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (637)
image galleries
Image by SOMBILON ART, MEDIA and PHOTOGRAPHY


The BEAT CARES holiday food and toy drive at Brentwood Town Centre photos by Ron Sombilon Gallery (600)
image galleries
Image by SOMBILON ART, MEDIA and PHOTOGRAPHY

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